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Form Moves: Ashutosh Potdar

Everything that we see has a form. Form is not different from our everyday lives. Our everyday is a merger of time-flows, networks, real and unreal, dream worlds. Form is…

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सरमिसळीची रूपं: नूपुर देसाई

चित्रातली, कथा-कवितेची, गाण्याची अशी वेगळी रूपे कशी आकाराला येतात, याचा विचार करताना लक्षात येतं की संस्कृतींमधलं किंवा कलारूपांमधलं केवळ वेगळेपण म्हणून रूपांकडे न बघता हे वेगळेपण कशातून किंवा कशामुळे तयार…

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Manduka Shabdam: Ranjini Nair

I inhale. I am Ravana. I am Ravana.  RAVANA. Ten heads. The wisdom of ten heads. Though how one is to make sure that all the ten heads contain wisdom is…

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Counter Contributors

Contributors: [green]/Counter[/green] [green]Aarti Wani[/green] is an Associate Professor of English at the Symbiosis college of Arts and Commerce, Pune. Her book, Fantasy of Modernity: Romantic Love in the Bombay Cinema…

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कथनाचे मैदान : आशुतोष पोतदार

कादंबरीकार निव्वळ कथनकार नसतो. म्हणजे, घेतला एक निवेदक (ती/तो/ते), एक गोष्ट निवडली, गोष्ट सांगण्याचे डावपेच वापरत विस्तार करत गेला एवढ्यापुरतेच ते नसते. म्हणजे, गोष्ट सांगणे महत्वाचे असते. पण तेवढेच नसते.…

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In a Broad Daylight: Khandakar Ohida

Coming from a lower middle-class Muslim family in Bengal, Ohida Khandakar in her work demonstrates the dichotomy between cultural hegemony and religious practice. Taking inspiration from miniature paintings, Ohida consciously…

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Gazing at the Third Apple: Jesal Thacker

An attempt in this essay is to decode Prabhakar Barwe’s practice outside arts historical perspective and observe his paintings, writings and notations against the backdrop of a psychological and philosophical…

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