“I see drawing as thinking, as evidence of thinking, Evidence of going from one place to another.” Vija Celmins
Three marks of existence are tilakkhaṇa that are aniccā, anattā, and…
मी बाळू वाळूसारखा वाहत गेलो दूर वर दूर देशी संस्कृतीच्या खुणा शोधत मी वाळू बाळू सारखी नाही फिरले देशा परदेशात वाहत गेले मात्र गात्र शाबूत ठेवून किनाऱ्यापर्यंत …
Once again, the story carriers of old gathered at Souti’s place. It was the designated place for this sort of thing, and Souti was a reasonably carefree host. These events…
भवतालच्या परंपरा, मिथक आणि मी
माणसे शरीराने निघून जातात. त्यांनी रचलेल्या, ऐकलेल्या, सांगितलेल्या कथा मात्र मिथकांच्या विविध रूपांत सर्वत्र पसरत राहातात. वेगवेगळ्या मिथकांबरोबर आपण वाढत असतो. आज आपण कितीही आधुनिक…
A series of three paintings; graphite, watercolour with pasted paper on Nepali rice paper; 22 x 14 Inches (image 1 and 3), 22 x 15 inches (image 2); 2023.
This…
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[mar-block]अनुक्रमणिका[/mar-block]
[title]Contents[/title]
[back url= “https://www.hakara.in/category/repetition/editorial-repetition/”]
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[green]आवृत्ती १७: पुनरावृत्ती/ Edition 17: Repetition[/green]
[green] संपादकीय / Editorial [/green]
[green] परामर्श / Reflection [/green]
Reading the Repetitive…
[marathiwrapper]
[left]
[mar-block]अनुक्रमणिका[/mar-block]
[title]Contents[/title]
[back url= “https://www.hakara.in/category/repetition/editorial-repetition/”]
[/left]
[green]आवृत्ती १६: गुपित/ Edition 16: Secrecy[/green]
[green] संपादकीय / Editorial [/green]
[green] परामर्श / Reflection [/green]
गुप्ततेचे दृश्यभान देणारे अद्भुत…
As I started my second year of graduate school, a professor assigned Twyla Tharp’s The Creative Habit as mandatory reading for us, in the hopes that my colleagues and I…
Introduction
Trails, paths, and roads are essential structures of the human landscape. They weave together the disparate elements of daily lives, establishing connections and bridging distances between them. A major…
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[green] आवृत्ती १६ / Edition 16: गुपित / Secrecy [/green]
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[green]Amit Kumar Vishwakarma [/green] is an art historian. He has an MFA in Art History and…
Making Silence Speak through Repetition: Reconstruction and Re-enactment as a Means to Materialise Erased History and Sometimes Correct it
Claude Lanzmann says that his film, Shoah (1985), was ‘made against…
A (family secret) memory: Late February nights. Final exams are either underway, or it must be revision holidays. An old jammkhana, a thick carpet once popular as wedding seating, long…