As I started my second year of graduate school, a professor assigned Twyla Tharp’s The Creative Habit as mandatory reading for us, in the hopes that my colleagues and I…
Introduction
Trails, paths, and roads are essential structures of the human landscape. They weave together the disparate elements of daily lives, establishing connections and bridging distances between them. A major…
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[green] आवृत्ती १६ / Edition 16: गुपित / Secrecy [/green]
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[green]Amit Kumar Vishwakarma [/green] is an art historian. He has an MFA in Art History and…
Making Silence Speak through Repetition: Reconstruction and Re-enactment as a Means to Materialise Erased History and Sometimes Correct it
Claude Lanzmann says that his film, Shoah (1985), was ‘made against…
A (family secret) memory: Late February nights. Final exams are either underway, or it must be revision holidays. An old jammkhana, a thick carpet once popular as wedding seating, long…
कलाक्षेत्रात शिक्षण घेताना, एखाद्या विशिष्ट कला-तंत्रात प्राविण्य मिळविण्यासाठी, अभिव्यक्तीच्या वेगवेगळ्या माध्यमांवर आपलं प्रभुत्व यावं तसेच कलेच्या वेगवेगळ्या क्षेत्रात सहजतेने व्यक्त होता यावं यासाठी सराव आणि अनुकरणाद्वारे आपण बऱ्याच गोष्टी शिकत…
Iteration (October 2022)
Instructions from Hakara, Issue 17: repetition, guest edited by Purvi Rajpuria. Note by Ashutosh Potdar, Editor, हाकारा । hākārā *** $7.86 six cents for each wordweighed and…
डेरेदार वृक्षांच्या सावलीतून बाहेर पडताना डेरेदार वृक्षांच्या सावलीतून बाहेर पडताना,काळजाला टोचणाऱ्या सुचिपर्णी सुयागिरवतील त्यांच्या कपाळी लिहिलेलंटोकदार भवितव्य. केवळ हिशोबी तरतूद वगैरे ठीक पण,झाड वाट्टेल तेव्हा जबान्या द्यायला तयार होईल?भूतकाळाच्या तळाशी गळ टाकून…
Ashutosh: When you started as a curator, what were the contexts and references for you?
Veerangana: I began working as a researcher on modern Indian art first under Dr Saryu…
Art Practice as Pedagogy: Dialogues on Sanchayan Ghosh’s Institutional Art Practices
Affordances[1] are a set of important paradigms which comprehend how our sensory systems process and react to information. Here,…
My practice of working with clay is an attempt to cope with the minor as well as major failures in life. Ceramic as a medium teaches me to look at…