Pygmalion in a Supermarket
The shopping list pressed
between the folded fluorescent
notes is fragrant in ways
only a memory of being loved can be
I write the ingredients in secret:
A detour — before
I can name
you who picked
a strand of hair from my sweater
with a tenderness only an old, frayed friendship
can afford to
And I was blessed—
to stand next to my beloved shoulder-to-shoulder
as the waves of warmth whisper
a truth unaware and I tremble
This scent —
What alchemy is it: a Jungian synchronicity
two noble elements, inert — erupt
together
to disrupt
the shelf on aisle 5
and I’m on the floor trying
to scoop
up every olfactory clue
to excavate an image (of you)
from my hippocampal grooves
Isn’t it arduous to reproduce
a copy
of unrequited love
when the periwinkles in my backyard
continue to bloom?
***
Origin Myth (or How I came to be)
I was not born
from fire nor did a farmer
find me in a furrowed
field
my name
did not find itself surfing
on my parents’ cerebral folds in crevices
of the unconscious —
Once I wasn’t there then
I was.
The possibilities moved in
and out of frame:
names of characters
from epics who endure
would ensure a future
or perhaps
an ancestor or a leader from
a war-torn country in the Middle East
Then, an epiphany
at the moment of enrolment
Three syllables —
(a)nd it begins
(mu)ll it over: “embrace wil–
(lya)?”
Now when I play with words
and makeup worlds
she wishes I had
his name, the serpent king —
Ta-ksha-(ka), only one of his kind.
It doesn’t matter, I tell her,
whether I’m priceless or a survivor
We would be burnt anyway and
I’m the leftover.
***
Anatomy of the Female Body
Let it be known:
After scores of generations,
Great-great-great-great-granddaughters of
Eve finally found
themselves
in medical schools:
mending and bending
bones and tissues
When they stood
in front of mirrors
next to the men masters
and gatekeepers
of human knowledge
they had no inkling of the
flowers behind
the swell in their breasts
A pair blessed –
by the twins, Ashwini Devatès
with nodes of milk
It isn’t a magic trick
but unravelling of it:
Casually lifting
up the
God’s curtain
emptying his hat.
***
Image Credit: Merahi metua no Tehamana (Tehamana Has Many Parents or The Ancestors of Tehamana), Paul Gauguin,1893.