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प्रति–कृती : विशाखा आपटे

कलाक्षेत्रात शिक्षण घेताना, एखाद्या विशिष्ट कला-तंत्रात प्राविण्य मिळविण्यासाठी, अभिव्यक्तीच्या वेगवेगळ्या माध्यमांवर आपलं प्रभुत्व यावं तसेच कलेच्या वेगवेगळ्या क्षेत्रात सहजतेने व्यक्त होता यावं यासाठी सराव आणि अनुकरणाद्वारे आपण बऱ्याच गोष्टी शिकत…

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Echolalia: Sarban Chowdhury

My practice of working with clay is an attempt to cope with the minor as well as major failures in life. Ceramic as a medium teaches me to look at…

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Lucid Traveller: Srikar Hari

I am interested in studying the human condition, which reveals itself through the repetitive nature of  the lived experience. I wish to  develop a language of visual enquiry, which contextualises…

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Stand at Ease: Koyal Raheja

Historically, the body has been controlled and manipulated to fit several political, cultural and sometimes even banal contexts. Through my explorations, I pose a question on the conundrum of the body…

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राखाडी रंगाच्या छटांमधल्या दृश्य-प्रतिमा : केतकी सरपोतदार

राखाडी रंगाच्या छटांमधल्या दृश्य-प्रतिमा आपण बरेचदा मानवी अनुभवांचा तर्कशुद्धपणे विचार करूनं त्यांचे पांढऱ्या किंवा काळ्या विभागात वर्गीकरण करतो. माझं काम ह्या दोन टोकांच्या मध्ये अस्तित्त्वात असलेल्या राखाडी रंगाच्या छटांमध्ये प्रवास…

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Sites of Crisis: Unmisha Misra

Collage perverts the social, political, and cultural specificity of images. Collage excerpts and recontextualises accepted meanings to challenge viewers to see a whole beyond the fragmented reality at the surface.…

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Conflicted Coexistence: Vignesh G.

My art practice started standardly from academic or traditional studio work before shifting to a more liberal, mobile, and versatile process since I started my master’s in Art History. With…

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Painting the Ordinary: Soma Das

As an artist, my works depict a distinguished category of life experience linked to the lower-income suburbs of Kolkata. Growing up in such a neighbourhood, in a joint family, under…

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