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Homeland: Moutushi Chakraborty

What is a ‘Home’? A three-dimensional space to seek physical respite and solace? An architectural splendor to boast of? A tattered bunker to hide from vicious grenades? A self-imposed magical…

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Hereafter: Dhruvi Acharya

My paintings focus on the psychological and emotional aspects of an urban woman’s life in a world teeming with discord, violence, and pollution. I tend to employ subtle, dark and…

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Out of Syllabus: Vasvi Oza

Education is the future. It has always been. But then the current times have made me a little concerned about the question: ‘What is the future of education?’ This particular…

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Paradigms of the Self: Joydip Sengupta

Introduction: My main purpose of making art has been a journey of exploring the self.[1] The self-representing “I”, from a first person point of view is rooted in the metaphysics…

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Social Rupture: Nobina Gupta

The concept: The pandemic has revealed a social vacuum, foregrounding huge inequalities in society. It has become imperative for us to start looking beyond ourselves and building circuits of resilience…

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The Weird and the Absurd: Aditi Aggrawal

Friction between the two surfaces creates some amount of energy which can have dramatic consequences. Every image and object contain an inherent meaning. Putting many objects together may lead to…

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From a Lost-referential Land: Anupam

Oppression and resistance lie in the same body. They are not separate entities. The body that suffers the state/ corporate/ brahminical/ white-supremacist/ imperialist/ islamophobic/ patriarchal repression, also resists and continues…

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