|| खळबळ || ‘खळबळी’चा थांगपत्ता लागणे कठीण. विश्वाच्या निर्मिती आधीचे निराकार रूप म्हणजे खळबळ असू शकेल. किंवा जिच्यातल्या कणभर बदलाने संपूर्ण व्यवस्था अस्थिर होऊ शकते अशी गुंतागुंतीची व्यवस्था ‘खळबळी’मधे सामावली…
24.9.1972
Should you happen to stop by the Ambika Mill and wish to see the boss, seek out Sundarlal first. His desk is right next to the air-conditioned cabin. Don’t…
In my play Sindhu, Sudhakar, Rum ani Itar (SSRI), I revisited a 1919 Marathi popular play, Ekach Pyala. The characters in Ekach Pyala come alive in the fascinating script of…
My works have always been influenced by the social realities surrounding me. I have been addressing the issues related to poverty, forced labour, malnutrition and food wastage from the formative…
"In my work I incorporate architectural structures, layering the paper in relation to how a structure is constructed. I formulate a relationship between the elements inside a structure and the…
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Image courtesy: Geet Batra and Nisha Abdulla
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काही वर्षांपूर्वी ‘पॉवर ऑफ टेन’ हा १९७०च्या दशकात बनवलेला एक विडिओ सगळीकडे वायरल झाला होता. हाताच्या पंजापासून सुरू होत १०च्या पटीत कॅमेरा झूम होत राहातो. वर वर आणखी वर जाताना…
My paintings are expression of mental experience rather than solely realistic portrayal, seeking to represent not just the objective reality, but the subjective emotions and responses that certain incidents or…
ती एक सायंटीस्ट आहे. हार्डकोअर सायंटीस्ट. हायपोथेसिस, प्रयोग, डाटा, अॅनालीसीस, अपयश, निराशा - पुन्हा नवीन उमेद, नवीन हायपोथिसीस, नवीन डाटा, कधीतरी थोडं हाताला येणारं यश हेच तिचं डे-टू-डे आयुष्य, रुटीन.…
It wasn’t as he had planned. It wasn’t as he had planned at all. The white gentleman greeted him as he passed by. He seemed bothered too. They were calling…