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Uncomfortable Tools: Umesh Singh

Umesh Singh comes from an agricultural family from Bihar. Due to lack of sustenance in farming, his family migrated to an urban area by abandoning their traditional occupation. This series…

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Melting Ice: Ajay Sharma

History of humanity begins with activities of geography and politics. Although boundary is a geographical expression, the idea of boundary cannot be separated from the essentiality of historical and political…

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The Black Metaphors: Sachin Bonde

Sachin Bonde’s current series of works ‘The Black Metaphors’ is a study of irony: an irony of development, nation-states and commodification of desires. Through his sculptures, installations and etchings, Sachin…

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Merging Constellations: Rumi Samadhan

Rumi Samadhan responds to Nasreen Mohmedi’s oeuvre through her visual reflections represented in digital compositions infused with ink and graphite drawings. Rumi tries to bring together various artistic influences and…

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In a Broad Daylight: Khandakar Ohida

Coming from a lower middle-class Muslim family in Bengal, Ohida Khandakar in her work demonstrates the dichotomy between cultural hegemony and religious practice. Taking inspiration from miniature paintings, Ohida consciously…

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Gazing at the Third Apple: Jesal Thacker

An attempt in this essay is to decode Prabhakar Barwe’s practice outside arts historical perspective and observe his paintings, writings and notations against the backdrop of a psychological and philosophical…

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Home/Front: Shruti Mahajan

My own trajectories of migration have made me conscious of the relationship between memories and movement. I have often ruminated on the narratives of belongingness, identity and nationhood while gathering…

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Urban Farm: Chetan Mevada

People are surrounded by structural patterns in this world. One observes that patterns are everywhere: in daily act of life, in the physical world, and also, in man-made things. Structural…

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