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Folk Lore: Raka Panda

The tangible and intangible experiences I have gathered through the years have been the source for my work and in that sense the canvas is my journal. In my work…

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Where to? : Salman Bashir Baba

Ha mya Prutche na darmeyaan’as, kour kun Dachun, khowur. yerre be’h aab’as, kour kun (I asked the transient ephemeral, where to? right, left. I drift in the waters, where to?)…

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The Past is Present: Anjan Modak

Speaking of journey, what comes to my mind first is shifting homes. Having seen my parents work as migrant labourers, home has never been a fixed concept for me. And…

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Four Terrains: Junuka Deshpande

रोज उरलेले  रोज केलेले काही बाही,  उरते तरीही.  थोडे पानात, थोडे मनात  गार काळोखाच्या फटींमधून जाणवते दिवसभरात.  वाळत घातलेल्या कपड्यांमधून कुकरच्या शिट्टीमधून धुवांधार पावसाच्या सरीतून रस्त्यावरच्या गोंगाटामधून श्वासाश्वासातून.  मला भीती…

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Life Tools: Birender Yadav

When the pandemic hit India hard, the government, without thinking much about the repercussions and preparations, decided to go for a complete lockdown. The tragedy that unfolded was witnessed by…

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अडसर अंतरीचे : विद्या कुलकर्णी

मला पूर्वीपासून ओळखणारी माणसं अजूनही फोटोग्राफर म्हणूनच ओळखतात. पण अलीकडे मात्र ती माझी प्राथमिक ओळख नाही असंच वाटायचं. जरी मी फोटो काढायचे तरी कमाईचं आणि व्यक्त होण्याचं माध्यम म्हणून ते…

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On the Contrary: Tilottama B.

…what if we can start reading ‘a subject’ without its prepositions, isn’t it like tracing a loose trail of a gloomy vision without knowing the source of the beginning? Our…

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